El Greco and ModernismBeat Wismer
MAI MULTE DESPRE CARTE
The oeuvre of El Greco (1541–1614) was first introduced to a broad German audience in 1910, through Julius Meier-Graefe’s The Spanish Journey. Numerous artists subsequently caught “Greco fever” when they first saw larger groups of his works in the exhibitions that followed in Munich in 1911 and Düsseldorf in 1912. In his disregard for the Renaissance rulebook of painting, his love of dramatic mood and emphasis on emotive color and form, El Greco provided acrucial precedent for painters such as Max Beckmann, Oskar Kokoschka, Max Oppenheimer, Ludwig Meidner and especially members of the Blaue Reiter (August Macke, Franz Marc, Albert Bloch and others). El Greco and Modernism presents more than 40 paintings by El Greco, gathered from the most famous museums around the world, and sets them alongside the work of the modernists he influenced. Describing his critical role in such currents as Symbolism, Cubism, Expressionism and abstract art, this catalogue offers a richly illustrated account of how an artist who, in his time, had no imitators and virtually no pupils, would become a flexible lens for artistic self-discovery and one of the fathers of modernism in the early years of the twentieth century.
Editor: Michael Scholz-Hänsel